Rashomon, the Relativity of Taste & Marquis Fruit Weight
Chapter Five. Part Three.
In Akira Kurosawa’s classic 1950 film Rashomon, four people witness the same crime but recount drastically different versions of the event. The New York Times reported, “The title quickly entered the English language and became shorthand for the relativity of truth: “the Rashomon effect,” invoked to indicate how witnesses to the same event may see it differently.”¹
I studied Kurosawa’s work in college where my professor summarized Rashomon’s theme with the observation, “Truth is relative; therefore there is no truth.” Since becoming a student of perception I’ve come to believe my professor may have gotten it wrong. It is not truth that is relative; it is perception.
Read MoreSwirl It, Shake It, or Just Let It Be
Chapter Three. Part Nine.
Swirling wine around a wine glass introduces oxygen into the liquid which expedites the release of aromas and takes some of the tension out of firm, young reds. Better wine decanters are designed with maximum surface exposure to facilitate the same thing and some even gently oscillate to further speed the oxidation process. Romancing your wine in this way will make it more approachable but let’s face it, sometimes you want instant gratification and you just don’t have time for all that foreplay.
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