Rashomon, the Relativity of Taste & Marquis Fruit Weight

Chapter Five. Part Three.
In Akira Kurosawa’s classic 1950 film Rashomon, four people witness the same crime but recount drastically different versions of the event. The New York Times reported, “The title quickly entered the English language and became shorthand for the relativity of truth: “the Rashomon effect,” invoked to indicate how witnesses to the same event may see it differently.”¹

I studied Kurosawa’s work in college where my professor summarized Rashomon’s theme with the observation, “Truth is relative; therefore there is no truth.” Since becoming a student of perception I’ve come to believe my professor may have gotten it wrong. It is not truth that is relative; it is perception.

Read More